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Work: 富春八景詩序 Viewing: Source

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富春自嚴子陵耕釣後至今，一草一木與客裏俱高。予觀烏龍金華諸山，如奔猊渴驥夾江而下，與越之千巖萬壑、吳之龍飛鳳舞者會而同盡於海。其中朝潮夕一往一來，耀人耳目者，又天下之奇觀。山川鍾秀間世而起者，孫仲謀之稱孤江左，葉中書入相本朝，他如名臣韻士仙蹤梵跡，不可一二殫紀。昔柳之愚溪，僻在荒服，而見來柳子；黃之赤壁，鞠為戰璟，而見賦坡公，遂皆有以表見於世。富春品題，獨未表見於昔人，豈造物者之有待於後人乎？

至正乙未，余遊富春，與其邑人馮正卿及予韓魏二三子相與品題時八景。先是吾里人張世昌有其大詠，其詞未傳。要之比興體製，非徒求工於景物，兼欲道其人物名節之盛，必有待乎能言之士，使後日如李翰林之歎崔顥於黃鶴樓、閻都督之奇王勃於洪都府，則富春山水當與愚溪赤壁感柳、蘇之遇者同一德色。品題之寄，其可苟也哉？余唱詩八首，二三子者和之，而予序之如

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Work: 富春八景詩序
Page title: 富春八景詩序
Nation: 元朝

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富春自嚴子陵耕釣後至今，一草一木與客裏俱高。予觀烏龍金華諸山，如奔猊渴驥夾江而下，與越之千巖萬壑、吳之龍飛鳳舞者會而同盡於海。其中朝潮夕一往一來，耀人耳目者，又天下之奇觀。山川鍾秀間世而起者，孫仲謀之稱孤江左，葉中書入相本朝，他如名臣韻士仙蹤梵跡，不可一二殫紀。昔柳之愚溪，僻在荒服，而見來柳子；黃之赤壁，鞠為戰璟，而見賦坡公，遂皆有以表見於世。富春品題，獨未表見於昔人，豈造物者之有待於後人乎？至正乙未，余遊富春，與其邑人馮正卿及予韓魏二三子相與品題時八景。先是吾里人張世昌有其大詠，其詞未傳。要之比興體製，非徒求工於景物，兼欲道其人物名節之盛，必有待乎能言之士，使後日如李翰林之歎崔顥於黃鶴樓、閻都督之奇王勃於洪都府，則富春山水當與愚溪赤壁感柳、蘇之遇者同一德色。品題之寄，其可苟也哉？余唱詩八首，二三子者和之，而予序之如