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Manual annotation is the default. Approved files are written as sibling pages under kanbun/, hanmun/, or hanvan/ with the same filename as this source page.

Annotation system

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Reasoning

Digital keyboard

Kanbun-LM is not shown here because automatic generation is Japanese-only. This patch keeps the manual path as the default workflow.

Source page


# WORK_TITLE: 韓熙載夜宴圖
# DISPLAY_TITLE: 韓熙載夜宴圖
# AUTHOR:
# TIMES:
# PAGE_TITLE: 韓熙載夜宴圖
# CATEGORIES:
韓熙載夜宴圖，中華十大傳世名畫，
南唐顧閎中繪
韓熙載夜宴笙歌於府宅也，原本已佚，今有宋
人所摹絹
本，藏故宮博物院，闊二十八釐米，長三百三十五釐米。別有明
唐寅摹本，藏重慶中國三峽博物館
。

圖

全畫五分，以畫屏、帳篷之屬間之：自右而左，次第繪「聽樂」、「觀舞」、「歇息」、「清吹」、「散宴」等，非一時之事也。

史

韓熙載，本後唐北海人，父坐罪伏誅，遂走投南唐，為中主所重。及後主立，南唐外事後周而內行傾軋，熙載居要職，恐上忌之，乃偽好聲色，不理政事，以求自保。後主猶不信，遂遣顧閎中、
周文矩往府窺之，令各繪其所見以呈。熙載審知上意，遂示以笙歌奢靡，二人畫訖，呈諸後主，後主方信其無貳心，熙載遂得保全。

史載二畫本傳承之序止乎元
季，今存世者，蓋摹顧也，其末有諸藏家鈐印，並清高宗題跋等。清亡，
廢帝攜往滿洲，迨寇逐，廢帝縲絏北地，斯圖轉流至北京玉池山房，
張大千聞之，購之以金
五百，大千走台灣，圖遂歸藏於故宮。


韩熙载夜宴全圖，摹本

中華十大傳世名畫

洛神賦圖

步輦圖

唐宮仕女圖

五牛圖

韓熙載夜宴圖

千里江山圖

清明上河圖

富春山居圖

漢宮春曉圖

百駿圖

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Propose a text edit (creates a ticket)

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Punctuation options

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Quotes

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Chinese quotation marks 「」『』 Latin speech marks “ ” ‘ ’ Chinese speech marks ＂＇ Off

Ordering

Traditional: 「甲『乙』丙」 Simplified: 『甲「乙」丙』 Vertical quote forms (﹁﹂﹃﹄)

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Repetition mark No repetition mark (default) 々 (Horizontal) 〻 (Vertical) 二 (Western Zhou-style)

# WORK_TITLE: 韓熙載夜宴圖 # DISPLAY_TITLE: 韓熙載夜宴圖 # AUTHOR: # TIMES: # PAGE_TITLE: 韓熙載夜宴圖 # CATEGORIES: 韓熙載夜宴圖，中華十大傳世名畫，南唐顧閎中繪韓熙載夜宴笙歌於府宅也，原本已佚，今有宋人所摹絹本，藏故宮博物院，闊二十八釐米，長三百三十五釐米。別有明唐寅摹本，藏重慶中國三峽博物館。圖全畫五分，以畫屏、帳篷之屬間之：自右而左，次第繪「聽樂」、「觀舞」、「歇息」、「清吹」、「散宴」等，非一時之事也。史韓熙載，本後唐北海人，父坐罪伏誅，遂走投南唐，為中主所重。及後主立，南唐外事後周而內行傾軋，熙載居要職，恐上忌之，乃偽好聲色，不理政事，以求自保。後主猶不信，遂遣顧閎中、周文矩往府窺之，令各繪其所見以呈。熙載審知上意，遂示以笙歌奢靡，二人畫訖，呈諸後主，後主方信其無貳心，熙載遂得保全。史載二畫本傳承之序止乎元季，今存世者，蓋摹顧也，其末有諸藏家鈐印，並清高宗題跋等。清亡，廢帝攜往滿洲，迨寇逐，廢帝縲絏北地，斯圖轉流至北京玉池山房，張大千聞之，購之以金五百，大千走台灣，圖遂歸藏於故宮。韩熙载夜宴全圖，摹本中華十大傳世名畫洛神賦圖步輦圖唐宮仕女圖五牛圖韓熙載夜宴圖千里江山圖清明上河圖富春山居圖漢宮春曉圖百駿圖