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Create annotation system (creates a ticket)

Manual annotation is the default. Approved files are written as sibling pages under kanbun/, hanmun/, or hanvan/ with the same filename as this source page.

Annotation system

Summary

Reasoning

Digital keyboard

Kanbun-LM is not shown here because automatic generation is Japanese-only. This patch keeps the manual path as the default workflow.

Source page


# WORK_TITLE: 伯格曼
# DISPLAY_TITLE: 伯格曼
# AUTHOR:
# TIMES:
# PAGE_TITLE: 伯格曼
# CATEGORIES:
伯格曼像

安斯特·英格瑪·伯格曼，
瑞典
烏普薩拉
人也。
一九一八年
七月十四日生，
二〇〇七年
七月三十日歿。以
導演、
為文、製片名，事工於
電影、
電視、
戲劇、
廣播
。評者多以柏格曼氏於製影，成就甚豐，讚譽廣受，流化深遠，足居同業諸魁。
有名作電影
夏夜微笑
（一九五五年映）、
第七印
（一九五七年映）、
野草莓
（一九五七年映）、
假面
（一九六六年映）、
高呼細語
（一九七二年映）、電視叢影
妃耦起居
（一九七三年映）、
芬尼亞歷山大
（一九八二年映）。

伯格曼導演電影、
紀錄片
逾六十，以映於電影院、電視，戲本多自纂者；復導演臺戲逾百七十。與
貢納費舍爾、
斯文尼科维斯特
結友製戲，皆其電影照像師也。常所用優伶，曰哈里特安德森，曰
碧比安德松，曰利夫烏爾曼、曰
甘納爾布耶恩施特蘭德、曰
厄蘭約瑟夫森、曰
英格里德圖林、曰馬克斯馮敘多。所製多取景於瑞典，至攝
猶在鏡中
後，取景於
法羅島
者眾。

菲利普法蘭奇
氏贊伯格曼曰：「二十世紀雅師，伯格曼當列其至偉者⋯⋯更塑乎文、戲，而得再造、詰問人類要件之屬。」馬丁斯科塞斯氏贊曰：「今或生於五、六十年代間，而有少年長成於此，於是欲製電影，吾未見能辟伯格曼之流化者⋯⋯厥電影之流化，誠難度量也。」據

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Propose a text edit (creates a ticket)

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Punctuation options

Preset Source Modern CJK (Traditional) Modern CJK (Simplified / PRC) Pure classical Strip Custom

Quotes

Family

Chinese quotation marks 「」『』 Latin speech marks “ ” ‘ ’ Chinese speech marks ＂＇ Off

Ordering

Traditional: 「甲『乙』丙」 Simplified: 『甲「乙」丙』 Vertical quote forms (﹁﹂﹃﹄)

Question / Exclamation Keep ？ Collapse ? → 。

Keep ！ Collapse ! → 。

Semicolon / Colon Keep ； Collapse ; → 。

Keep ： Collapse : → 。

Comma Use ， Use 、

Repetition mark No repetition mark (default) 々 (Horizontal) 〻 (Vertical) 二 (Western Zhou-style)

# WORK_TITLE: 伯格曼 # DISPLAY_TITLE: 伯格曼 # AUTHOR: # TIMES: # PAGE_TITLE: 伯格曼 # CATEGORIES: 伯格曼像安斯特·英格瑪·伯格曼，瑞典烏普薩拉人也。一九一八年七月十四日生，二〇〇七年七月三十日歿。以導演、為文、製片名，事工於電影、電視、戲劇、廣播。評者多以柏格曼氏於製影，成就甚豐，讚譽廣受，流化深遠，足居同業諸魁。有名作電影夏夜微笑（一九五五年映）、第七印（一九五七年映）、野草莓（一九五七年映）、假面（一九六六年映）、高呼細語（一九七二年映）、電視叢影妃耦起居（一九七三年映）、芬尼亞歷山大（一九八二年映）。伯格曼導演電影、紀錄片逾六十，以映於電影院、電視，戲本多自纂者；復導演臺戲逾百七十。與貢納費舍爾、斯文尼科维斯特結友製戲，皆其電影照像師也。常所用優伶，曰哈里特安德森，曰碧比安德松，曰利夫烏爾曼、曰甘納爾布耶恩施特蘭德、曰厄蘭約瑟夫森、曰英格里德圖林、曰馬克斯馮敘多。所製多取景於瑞典，至攝猶在鏡中後，取景於法羅島者眾。菲利普法蘭奇氏贊伯格曼曰：「二十世紀雅師，伯格曼當列其至偉者⋯⋯更塑乎文、戲，而得再造、詰問人類要件之屬。」馬丁斯科塞斯氏贊曰：「今或生於五、六十年代間，而有少年長成於此，於是欲製電影，吾未見能辟伯格曼之流化者⋯⋯厥電影之流化，誠難度量也。」據