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Digital keyboard

Kanbun-LM is not shown here because automatic generation is Japanese-only. This patch keeps the manual path as the default workflow.

Source page


# WORK_TITLE: 少女時代
# DISPLAY_TITLE: 少女時代
# AUTHOR:
# TIMES:
# PAGE_TITLE: 少女時代
# CATEGORIES:
少女時代

韓國
有歌舞之群，號
少女時代
。二零零七年八月上澣，肇立於
首爾
。初為九人，後一人去，存八人焉。隸
善美堂，主
李秀滿
。

其始也，李氏將立女樂，訪樂家李承哲，得古曲《少女時代》。遍選秀麗者十有四人，定其九焉。曰金泰妍、李順圭、黃美英、金孝淵、權俞利、崔秀英、林潤娥、徐珠賢、鄭秀妍。以泰妍主之。

方其立也，諸女習樂藝者三年。二零零七年秋，首奏《再世曲》。季冬，獻《少女時代》。明年春，獻《悅曲》。

其樂也，兼漢洋之制，以和聲為歌，以律度為舞。每獻新曲，必更制服。二零零九年，東渡
日本，獻藝於
東京
。其樂章行於諸國。

有年終大賞、金石之證。二零一四年，鄭氏去。二零二二年，復聚首，獻《永世》。

事次：

- 二零零七年：立

- 二零零九年：適日本

- 二零一四年：鄭氏別

- 二零一七年：獻《夜宴曲》

- 二零二二年：獻《永世》

樂章七：

- 二零零七年：《群芳曲》

- 二零一零年：《驚鴻舞》

- 二零一一年：《少年吟》

- 二零一三年：《詠子篇》

- 二零一五年：《獅吼曲》

- 二零一七年：《夜宴曲》

- 二零二二年：《永世吟》

日本樂章三：

- 二零一一年：《芳華舞》

- 二零一二年：《雅樂集》

- 二零一三年：《和平吟》

鏈

本家

互聯網檔案館
之
存檔，存檔日期2010-01-09.

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Punctuation options

Preset Source Modern CJK (Traditional) Modern CJK (Simplified / PRC) Pure classical Strip Custom

Quotes

Family

Chinese quotation marks 「」『』 Latin speech marks “ ” ‘ ’ Chinese speech marks ＂＇ Off

Ordering

Traditional: 「甲『乙』丙」 Simplified: 『甲「乙」丙』 Vertical quote forms (﹁﹂﹃﹄)

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Keep ！ Collapse ! → 。

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Comma Use ， Use 、

Repetition mark No repetition mark (default) 々 (Horizontal) 〻 (Vertical) 二 (Western Zhou-style)

# WORK_TITLE: 少女時代 # DISPLAY_TITLE: 少女時代 # AUTHOR: # TIMES: # PAGE_TITLE: 少女時代 # CATEGORIES: 少女時代韓國有歌舞之群，號少女時代。二零零七年八月上澣，肇立於首爾。初為九人，後一人去，存八人焉。隸善美堂，主李秀滿。其始也，李氏將立女樂，訪樂家李承哲，得古曲《少女時代》。遍選秀麗者十有四人，定其九焉。曰金泰妍、李順圭、黃美英、金孝淵、權俞利、崔秀英、林潤娥、徐珠賢、鄭秀妍。以泰妍主之。方其立也，諸女習樂藝者三年。二零零七年秋，首奏《再世曲》。季冬，獻《少女時代》。明年春，獻《悅曲》。其樂也，兼漢洋之制，以和聲為歌，以律度為舞。每獻新曲，必更制服。二零零九年，東渡日本，獻藝於東京。其樂章行於諸國。有年終大賞、金石之證。二零一四年，鄭氏去。二零二二年，復聚首，獻《永世》。事次： - 二零零七年：立 - 二零零九年：適日本 - 二零一四年：鄭氏別 - 二零一七年：獻《夜宴曲》 - 二零二二年：獻《永世》樂章七： - 二零零七年：《群芳曲》 - 二零一零年：《驚鴻舞》 - 二零一一年：《少年吟》 - 二零一三年：《詠子篇》 - 二零一五年：《獅吼曲》 - 二零一七年：《夜宴曲》 - 二零二二年：《永世吟》日本樂章三： - 二零一一年：《芳華舞》 - 二零一二年：《雅樂集》 - 二零一三年：《和平吟》鏈本家互聯網檔案館之存檔，存檔日期2010-01-09.