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Source page


# WORK_TITLE: 弈
# DISPLAY_TITLE: 弈
# AUTHOR:
# TIMES:
# PAGE_TITLE: 弈
# CATEGORIES:
棋局

棋局之影像

弈
者，戲物也，亦作「碁」、「圍碁」、「手談」。傳
堯
憂
丹朱
之不賢，製之以為教用也。其弈法雖簡而變數無窮，或曰：「古今弈者無同局。」故諸國皆有好之者。

弈者二，各執黑白子，以法
陰陽
。局之路三百六十有一，一者，生數之主，據其極而運四方也，此一者，是為
天元
也。三百六十，象
周天之數
。據天元為極，作
九宮
之狀，九宮肩足謂之
星，據星為極分而為四，以象
四時
。隅各九十路，以象其
日
。外周七十二路，以象其候。局方而靜，子圓而動。局之線道謂之枰，線道之間謂之罫。子有四
氣，氣者，子四方線道之交也，閉其氣以提其子，無子之交曰
目，終局，以目數多寡以為勝負。

南朝
時，始為
四藝，仿
九品中正制
作
圍棋九品制，傳於今，稱
段位制
。
唐
有
王積薪
者，作《
圍棋十訣
》，曰不得貪勝，入界宜緩，攻彼顧我，棄子爭先，捨小就大， 逢危須棄， 慎勿輕速， 動須相應，彼強自保，勢孤取和。常有名手銘之於座右。
康熙
中，有名譜《血淚篇》，《當湖十局》。 亦有
徐星友
作《
兼山堂弈譜
》，施襄夏作《
弈理指歸
》。當世中土
聶衛平、
古力、
柯潔，華僑
吳清源，韓人
曹薰鉉、
李昌鎬，皆為名手。

阿伐碁
者，非人，乃機巧之物也，善弈。嘗與韓國手李世乭對弈，五局而四勝一北。後又連勝中土國手柯潔。當是時，天下無能與之敵者。

據

張擬 《棋經》

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Punctuation options

Preset Source Modern CJK (Traditional) Modern CJK (Simplified / PRC) Pure classical Strip Custom

Quotes

Family

Chinese quotation marks 「」『』 Latin speech marks “ ” ‘ ’ Chinese speech marks ＂＇ Off

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Traditional: 「甲『乙』丙」 Simplified: 『甲「乙」丙』 Vertical quote forms (﹁﹂﹃﹄)

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Repetition mark No repetition mark (default) 々 (Horizontal) 〻 (Vertical) 二 (Western Zhou-style)

# WORK_TITLE: 弈 # DISPLAY_TITLE: 弈 # AUTHOR: # TIMES: # PAGE_TITLE: 弈 # CATEGORIES: 棋局棋局之影像弈者，戲物也，亦作「碁」、「圍碁」、「手談」。傳堯憂丹朱之不賢，製之以為教用也。其弈法雖簡而變數無窮，或曰：「古今弈者無同局。」故諸國皆有好之者。弈者二，各執黑白子，以法陰陽。局之路三百六十有一，一者，生數之主，據其極而運四方也，此一者，是為天元也。三百六十，象周天之數。據天元為極，作九宮之狀，九宮肩足謂之星，據星為極分而為四，以象四時。隅各九十路，以象其日。外周七十二路，以象其候。局方而靜，子圓而動。局之線道謂之枰，線道之間謂之罫。子有四氣，氣者，子四方線道之交也，閉其氣以提其子，無子之交曰目，終局，以目數多寡以為勝負。南朝時，始為四藝，仿九品中正制作圍棋九品制，傳於今，稱段位制。唐有王積薪者，作《圍棋十訣》，曰不得貪勝，入界宜緩，攻彼顧我，棄子爭先，捨小就大，逢危須棄，慎勿輕速，動須相應，彼強自保，勢孤取和。常有名手銘之於座右。康熙中，有名譜《血淚篇》，《當湖十局》。亦有徐星友作《兼山堂弈譜》，施襄夏作《弈理指歸》。當世中土聶衛平、古力、柯潔，華僑吳清源，韓人曹薰鉉、李昌鎬，皆為名手。阿伐碁者，非人，乃機巧之物也，善弈。嘗與韓國手李世乭對弈，五局而四勝一北。後又連勝中土國手柯潔。當是時，天下無能與之敵者。據張擬《棋經》