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Create annotation system (creates a ticket)

Manual annotation is the default. Approved files are written as sibling pages under kanbun/, hanmun/, or hanvan/ with the same filename as this source page.

Annotation system

Summary

Reasoning

Digital keyboard

Kanbun-LM is not shown here because automatic generation is Japanese-only. This patch keeps the manual path as the default workflow.

Source page


# WORK_TITLE: 文學
# DISPLAY_TITLE: 文學
# AUTHOR:
# TIMES:
# PAGE_TITLE: 文學
# CATEGORIES:
此頁非
文獻學
也。

蓋
文章
者，所以載道抒懷，形事繪物也。托於
言辭，形乎
翰墨
；內以彰性情，外以顯萬象。其體則有
詩、賦、騷、
文，其流則為
詞、
曲、傳奇、
小說
。至若寓言、說林，亦其枝派也。

釋義

文學之名，古矣。《
論語
》載孔門四科，文學居其一，子游、子夏為之冠
。邢氏疏曰：「若文章博學，則有子游、子夏二人也。」漢
晉
以降，亦為冑子之學。歷代或置文學之官，以掌辭章。宋文帝留心藝文，立玄、史、文學三館，各置博士，文學始分科而獨立矣
。至於文辭之美、屬文之能，亦謂之文學。元結序《大唐中興頌》，稱「非老於文學，其誰宜為」，此之謂也。

史

文學之源，可溯諸
三百篇
。降及
有唐，近體大興；
宋
則詞盛，
元
則曲興；
明
清
之際，小說蔚為大觀。歷代佳作，卷帙浩繁，洋洋乎不可勝數也。

至於泰西之文，其來亦遠。其初多為勸誡，
宗教
是崇，故說經傳道之作，連篇累牘。
耶氏之教，其文尤盛，自成一家。其後流派滋蕃，或尚情思，放浪形骸，號曰「浪漫」；或摹寫物態，窮形盡相，謂之「寫實」（復有批判世情，魔幻諸相者）。流風所及，派別林立，未可枚舉。

當今之世，文多傳於
電書萬里之網，觀者如雲，其勢日盛，一時奇觀也。

據

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User-made Public domain Historical source or manuscript Author-provided: the work's author supplied this translation

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Propose a text edit (creates a ticket)

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Title

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Edited text

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Punctuation options

Preset Source Modern CJK (Traditional) Modern CJK (Simplified / PRC) Pure classical Strip Custom

Quotes

Family

Chinese quotation marks 「」『』 Latin speech marks “ ” ‘ ’ Chinese speech marks ＂＇ Off

Ordering

Traditional: 「甲『乙』丙」 Simplified: 『甲「乙」丙』 Vertical quote forms (﹁﹂﹃﹄)

Question / Exclamation Keep ？ Collapse ? → 。

Keep ！ Collapse ! → 。

Semicolon / Colon Keep ； Collapse ; → 。

Keep ： Collapse : → 。

Comma Use ， Use 、

Repetition mark No repetition mark (default) 々 (Horizontal) 〻 (Vertical) 二 (Western Zhou-style)

# WORK_TITLE: 文學 # DISPLAY_TITLE: 文學 # AUTHOR: # TIMES: # PAGE_TITLE: 文學 # CATEGORIES: 此頁非文獻學也。蓋文章者，所以載道抒懷，形事繪物也。托於言辭，形乎翰墨；內以彰性情，外以顯萬象。其體則有詩、賦、騷、文，其流則為詞、曲、傳奇、小說。至若寓言、說林，亦其枝派也。釋義文學之名，古矣。《論語》載孔門四科，文學居其一，子游、子夏為之冠。邢氏疏曰：「若文章博學，則有子游、子夏二人也。」漢晉以降，亦為冑子之學。歷代或置文學之官，以掌辭章。宋文帝留心藝文，立玄、史、文學三館，各置博士，文學始分科而獨立矣。至於文辭之美、屬文之能，亦謂之文學。元結序《大唐中興頌》，稱「非老於文學，其誰宜為」，此之謂也。史文學之源，可溯諸三百篇。降及有唐，近體大興；宋則詞盛，元則曲興；明清之際，小說蔚為大觀。歷代佳作，卷帙浩繁，洋洋乎不可勝數也。至於泰西之文，其來亦遠。其初多為勸誡，宗教是崇，故說經傳道之作，連篇累牘。耶氏之教，其文尤盛，自成一家。其後流派滋蕃，或尚情思，放浪形骸，號曰「浪漫」；或摹寫物態，窮形盡相，謂之「寫實」（復有批判世情，魔幻諸相者）。流風所及，派別林立，未可枚舉。當今之世，文多傳於電書萬里之網，觀者如雲，其勢日盛，一時奇觀也。據